It’s all well sitting behind a screen and dreaming that one you’d like to see your play on a stage being performed by actors, or listening to a piece of radio that you wrote etc. This will only happen once you get your name out and the internet is a great place to start.
The goal is visibility. Name recognition can lead to industry awareness, respect, paid writing assignments, and greater creative control over your career. That would be a nice goal to aspire to, but I still need to pay the bills and working full time in the day job will be a reality for years to come. Somehow, Hollyoaks or Corrie aren’t going to come knocking, unless I can go to them with some credits to my name.
The first stop was to get some work published online so I sent off my CV and examples of written features. Two e-zines took me on as a features writer so long as I could contribute three articles per month. The first time I saw an article that I had penned published online with my name next to it, well that was a nice feeling. Always great to see your name next to something that you have put heart and soul into.
The next piece of advice I was given was to start a blog. Having no idea what I would write about, the only thing at the time that I felt confident writing about was running. My first blog title Sweaty Betty was born. I wrote in that for approximately nine months. Due to a serious back injury which affected my running, I neglected this and felt that I wasn’t in the position to blog on that subject given the current circumstances with my health.
I don’t know about other people, but thinking of a name for a blog is not the easiest of things to come up with. I rattled my brains for weeks to think of a catchy title, that would not only sum me up, but also be a reference to what my interests were. I wanted the blog to reflect my journey as a struggling writer, and then The Northern Scribbler was born.
The blog has only been live for nine months, but already has over 1800 views, and I’m pretty sure they are not all from my mum and the other half. It’s always a massive compliment when a complete stranger decides to follow my blog, as they don’t know me and they have taken the time to sign up to an email notification everytime I post something. I currently have 42 people who have signed up to following my blog and I appreciate every single one of them.
I’ve been taking part in @sofluid June writing challenge this month. I decided to participate as my entries to the blog were very sporadic and I wanted to spark some life into the site. As a result of doing this challenge the creator of http://www.writesofluid.com wanted to feature me in an interview about the challenge. This was a really nice request, I’ve never been interviewed for anything before – except jobs, and quite a compliment to be featured next to “proper published authors”.
Finally, in order for me to gain a greater knowledge of stories and structure I decided to become an online theatre reviewer. It’s a great way to see live shows and Manchester is rich in the arts industry, both with our fantastic The Lowry, Opera House and the Royal Exchange Theatre, but also it has a large fringe theatre scene which seems to be growing. Being part of this is such a privilege, and is also a cost effective way to see lots of exciting plays.
This is a post for http://www.writesofluid.com’s blog writing challenge. One blog post a day for all of June.
And so day five has come and nearly gone for the @sofluid write a blog post per day challenge. So, far I have really enjoyed participating in this. Not only has it made me focus on writing a few paragraphs, but it has also given me a few extra followers to my blog http://www.northernscribbler.com and to my twitter account @sarahcassidy.
One of my assignments for my MA Scriptwriting was to work collaboratively on a radio drama. It was challenging at first as there were some big personalities in the team, but after a few weeks we got to know each other better and began to devise a full eight part drama. For me the experience was valuable, as previously I had only written my own ideas and devised my own characters.
Therefore the thing I would like to try would be attending an actual story conference, and to be given the opportunity to write an episode of television of my own. Of course getting that first writing credit under my belt would be a dream come true.
I would also like to try joining a book club, but at the moment I don’t have the time to commit myself to reading in the short space of time that these groups command.
It’s taken me nearly a month to get 43% through ‘We need to talk about Kevin” and I’m reading that each evening before bedtime. Maybe when I am a successful writer and I can choose my working hours, will I be able to return to being the book worm that I once was as a teenager.
It’s been a while since my first post on collaborative writing. Since that post I managed to hand in my episode of the radio drama (episode five) and a two thousand word reflective essay on the whole process of working as a team.
First and foremost that I learnt about from my experience of team writing is that everybody needs to know the contents of each episode, in order to craft their episode with a natural flow. What I mean is that it is really bloody difficult to write your own episode without knowing what the episodes preceding your own contain, in terms of plot, characters used and the overall story arc.
However, my experience of team writing changed when I booked myself on a storylining workshop at the end of January. To anybody who wishes to experience a simulated storylining conference environment, with two very experienced professionals in Gill Creswell who was a storyliner for Coronation Street and a writer for Hollyoaks, and Jo Hallows who was Executive Producer for Hollyoaks, this is certainly a worthwhile investment to any prospective team writer.
The venue was at the magnificent People’s History Museum in Spinningfields, Manchester. Day one was an introduction to scriptwriting and contained all the usual pointers on characters, dialogue, three-act structure and plotting. Gill gave the group some great little exercises on how to develop a story, and using imagery was introduced – something I have never considered before, but I will now.
Day two was what I had booked onto the course for. The storylining conference! We were given some facts to a story which as a team we were working on developing. We came up with characters, back story, a ten scene story, a title and all of this was through everybody being given the opportunity to pitch their ideas. It was an incredible experience, and I left the course with a few more contacts to my book and confidence that in the future I won’t be shy on sharing my ideas.
Hopefully, these skills learnt will come in handy one day when I get to write for Hollyoaks, Corrie or Waterloo Road.
After an exciting first day at the festival I wondered what the second day would have in store for me. The schedule for Saturday was jam packed with industry professionals that I wished to see, but could only be in one place at a time. Luckily, most sessions were being filmed to be uploaded onto the website so all was not lost if two sessions collided.
People who know me well, also know how completely useless I am at getting up in the morning. It takes me all my time to get to work on time, so weekends are generally a struggle. But, if anybody was going to get me up and arriving at 9am at the Regents College it was going to be Julie Gray! Thank goodness the LSF decided to schedule her session first, that way I was guaranteed to get my money’s worth on the Saturday.
JULIE GRAY – Character and Structure : Separated at Birth
Another really informative session by Ms Gray, which again reinforced my knowledge that I have gained whilst undertaking my masters degree in Television and Radio Scriptwriting. Julie used examples from Rain Man and Legally Blonde to demonstrate to the group how the craft of structuring a film works. I must admit at that session I hadn’t seen either of those movies, but I still managed to follow it. I know, I know how can I call myself a movie fan when I haven’t seen Rain Man, the simple answer is that when that movie came out I was really into my 80s action films so the film never appealed to me (not being a Tom Cruise fan either).
Julie went into much more depth than in the previous days session and focused on character’s general and specific wants, inner needs and active flaws which will then let the character “wreak havoc in their world” She talked about the difference between ourselves and our characters which is something I personally will take away from the session.
Julie gave a great example of how to make sure that as writers, we understood about the flaw that our characters possessed. She asked the delegates to think about how greed would act at a dinner party? How would anger behave playing at sports and how does vanity behave queuing in a long queue? Those flaws will create conflict, and thus the adventures will write themselves! She passed out worksheets to the group and got us thinking about ourselves. The only downside to the session was that people were asking questions, and I wanted to just hear Julie speak!
I left the session thinking about my current project that I am working on with a group of students on my course. We are writing an eight part radio drama, where we each write our own episode. Several of us have to devise a character for the show, myself being one of those. I have decided to revisit my character as at the minute she has no obvious flaw, so once I get that right she will make a very interesting character to write.
Thinking about characters also makes you start to pay more attention to the people that you come across in everyday life. I have met and worked with some characters in my time. All of us have flaws don’t we? But the wonderful gift of being a writer is that we can build on these minor flaws to make such interesting characters that really do wreak havoc on their world.
Onto the next session with script consultant Mary Kate. With a few technical glitches at the start, Mary Kate delivered a really compelling session which broke down the three act structure. Beginning with a few wise words about being a storyteller, Mary Kate told us to take note of the following:
- 75% of people who do get a film made will not go on to get a second film made (that’s ok for me, I just want to write for television and radio).
- A great storyteller will create a tale about somebody wanting something very badly and having great difficulty getting it. The storyteller must play with the audiences emotions during the process – what do the audience hope for and what do they fear.
Mary Kate quoted from Aristotle that the protagonist is “a creature of necessity in a landscape of scarcity”. Interesting quote! She then went into more depth about what should be going on with characters during each of the acts. During which she would give us precise examples from a variety of European films such as Headhunters and Festen. We were then treat to a corker of a film with Pour Elle, which is a French film about a husband who plans to break his wife out of prison after she was wrongly incarcerated for the murder of her boss. During the film Mary would stop the sequences at the various scenes where dramatic tension was being cranked up, to show the group why certain actions were used. The session ran over into the coffee break, but nobody moved from their seats as we were all absolutely hooked into the story that was unravelling in front of us.
Another fantastic session where I took loads of notes – more than I can type up on here.
Clues for Success : Writing Detectives for Film and TV
I decided to go to this session as I am currently involved in a radio project where I have to create my own character for the series. I have decided to go with an undercover detective for my character, so naturally this session was intended to assist me with this work. Thinking about the types of shows that are on my planner I wouldn’t say that detective shows are ranked up there. My favourite is Scott and Bailey which I do watch religiously when it is on, but I hadn’t watched Silent Witness in years or Waking the Dead which are two shows which the panel write for.
The panel being Barbara Machin (created Waking the Dead), Tony McHale (Silent Witness and Waking the Dead amongst many others), Isabelle Grey (The Accused), Matthew Graham (Life on Mars)
and Tony Garnett (Cathy Come Home and The Cops).
The delegates in the room knew they were about to be treated to some industry knowledge with the combination of these five writers. I just sat in absolute awe, and listened to their stories about working on the different shows that I ended up not taking many notes. What they did all agree on, is that writing crime is a great drawing board for which to tell fantastic stories about people. You can tell most stories through a crime show, and there are opportunities to develop some complex characters during the content of the episode.
Tony Garnett stressed to everybody in the room that were thinking of writing for this genre, that it is extremely important to research and the best way to do this is to spend time with the cops and the villains. How great does that sound? Being allowed to follow the cops around. I am not sure my radio drama warrants that sort of research, but you never know in the future.
My favourite part of the session was listening to Matthew Graham talk about how he came up with the idea for Life on Mars. His childhood was in the 1970s and like me, he called friends of his parents uncle and auntie even though they were not related. He spoke of his “Uncle John” who wore cowboy boots, strutted around the place and was very loud and to the point. Matthew just wanted to write a show about Uncle John who in fact turned into Gene Hunt – so Matthews words of wisdom was for us all to write about our own “uncle John”. I really liked that story, because it was real and I think Gene Hunt is one of those larger than life characters that I just really love and wish I could write for, so to be told the story of where that inspiration for that character came from makes me see the character in a whole different light.
The Show Must Go On : Writing for Soaps
This was the session I had been waiting for ALL WEEKEND. The panel consisted of Yvonne Grace (former Eastenders), Damon Rochefort (current Coronation Street), Tony McHale (former Eastenders) and Tracy Brabin (former Hollyoaks and Shameless).
Now, I do believe there is a certain snobbery with some creative folk about people who write for soaps, or continuing drama as we are told in my course. That could have been the reason why the room was only half full of delegates. However, that suited me fine as I was able to get up at the front.
Folk consider writing for soaps as not really being creative as the characters are already in the show and storylines come and go. Not me – I know which soap I would want to write for. The ultimate would be Coronation Street, because it is watched by millions and I have watched it from being a little girl, although not an avid fan nowadays, but I do pop in every now and again. But, for me it is Hollyoaks. I started watching it last year after a representative from Lime Pictures came to give a masterclass to my scriptwriting group. I thought it would be a good way to get into writing for soaps so I started to watch it. Well – it took approximately a couple of weeks to get to know the characters, but I can honestly say 18 months on that I am a massive fan of the show. Even my kids and husband watch it with me, and I would really love to be able to write for those characters eventually (especially Brendan Brady, Jackie and Joel).
Anyway, I am going off track here. So, as a massive fan of Hollyoaks you can imagine my excitement at having a real scriptwriter from the show on the panel in the form of the wonderful Tracy Brabin. Tracy has also written for Shameless (another of my favourite shows) and was famous for playing Trisha in Coronation Street some years previous. Tracy was like a breath of fresh air, she started off saying that she didn’t feel like she deserved to be sharing the panel alongside the others. As an actress she decided to retrain and was able to be funded for a masters degree in Screenwriting, which she then used to get on at Hollyoaks as a writer. This immediately made me prick my ears up as she is doing what I am hoping to do in the future, in the same way that I am doing it. There could be hope for me? Tracy spoke of how she was able to land a spot on the Hollyoaks writing team, she talked about how the writers attend storylining conference and have to pitch stories for the characters etc.
From this the writers from Eastenders and Coronation Street stated that a similar process was in operation at those shows. Story conferencing consists of two to three days of sitting in a room with other writers and staff from the shows, when stories are pitched. If the story goes on the board then the writer pretty much knows that they will receive a commission to write one of the episodes. So, that process alone shows that the writers do get involved in the show in a creative manner.
The session was a great insight into the world of the soap opera. The panel were kind enough to continue the discussion into the script chat which followed. The only time over the weekend that I suddenly asserted myself was to sit next to Tracy Brabin as I desperately wanted to ask her a question away from the rest of the group – you can see me on the photograph of the script chat. The panel continued to advise the delegates into how to break into soap writing – a common theme over the weekend was that nothing would happen to our writing careers without the backing of an agent.
So, coming away from that session I have two things to tackle over the next twelve months. Firstly, the most important task for me is to finish and pass my masters degree, and secondly to start the process of finding an agent.
Finally, I did get to ask Tracy my question away from everybody else. She is such a nice, lovely person and I am grateful that she spared me a few extra minutes.
For the remainder of the day I also attended the Should you write for radio session and the Social Media session. Again, both really useful. Radio is the other medium I would like to write for, depending on how I cope with my current radio project at university. As for social media? Well I felt more relieved after that session that I should use it even more than I currently do (which is a lot). For my homework I will be having a look at googleplus and following a few more twitter folk.
So, that rounds up my second day at the festival. It was my favourite day by far, and although the ticket is arguably expensive, I would state that I got my moneys worth on Saturday. I can’t state how motivating it is to even be in the same room as these geniuses of their craft. Normal people like myself who have worked hard, never given up when they received rejection and are proof that people can get their lucky break. Matthew Graham spent nine years trying to get a commission for Life on Mars and that was initially just a story about his uncle John.