Station Road is a continuing radio drama about life in a fictitious and gritty Manchester street. Not only do the characters work and live on Station Road but there is also a public house, café, urban farm and a corner shop.
Hearing the scripts come alive for the first time on Saturday was quite simply marvellous. A couple of the writers, myself included were interviewed live in the studio at ALL FM prior to the episode being aired.
The episode was played mid-interview, and it was pretty special not only hearing our scripts come to life but we also have a theme tune. An actual catchy theme tune that we’ve since been humming in our script meetings.
A surreal moment yesterday as I left work to drive to the weekly Station Road writers meeting, the pilot was played out again during ALL FM’s Drivetime show and as I sat in traffic, I felt such pride listening to the scene that I wrote
Tomorrow is the first day of the Manchester International Festival as it kicks off with a host of performances ranging from visual shows, musicals to choirs.
Four hundred volunteers have been recruited to make sure that the festival runs as smoothly as possible, and one of those volunteers happens to be me.
Volunteers come in a variety of backgrounds, ages and gender. It’s not the retired person with time on their hands who act as volunteers anymore.
You see a lot of people think that we’re mad. Working full-time in a very busy job and then volunteering on top of that – why would you do that if you’re not getting paid?
Maybe I am mad.
I’m not only volunteering at the festival, but I have been a volunteer at my local community radio station for nearly two years now too.
Have I not got enough to do? When do I find the time? Why would I possibly do anything extra unless I was getting paid for it?
I’ll tell you why.
Volunteering has given me the chance to learn skills that I never knew I possessed, meet some extraordinary people and be part of something. It has also given me an increase in self-confidence and there’s something rather satisfying about giving back to the community where you live.
Years ago I lacked the confidence to talk to people and walked out of a new job as soon as I realised that the expectation was that I had to talk in a group situation. Now on a weekly basis I host my own show live on the radio and internet http://www.wfmradio.org speaking to many people. I speak in large groups (not very well) but I do it.
That would never have been possible before I became a volunteer at the radio station.
I’ve interviewed local artists, bands, actors, directors and many other interesting and talented people. Again, only possible through the volunteering I do.
One things for sure, I certainly don’t get to do things like that in the day job.
I’m looking forward to my first shift as a Manchester International Festival volunteer. Hopefully if the weather is shining, I’ll get to meet some very interesting characters in Albert Square and there’s even the chance to dust off the sign language as I look after a children’s choir as they sing along to Mr Tumble.
It’s been a while since I wrote about how I am finding being part of the writers group for the radio soap.
Twelve months on and we are a core of six writers, meeting weekly and we have currently written 168 scenes on our brand new community radio soap opera.
It has been an organic process to get to where we are. Twelve months ago there were fifteen writers at the very first session and to be honest it would have been chaos if it had continued to be that number, and I’m not sure that I would have been in it for the long haul either.
As the initial weeks passed by a writer would stop coming to the meetings until we found it to be the same six writers that would turn up each week.
This was a good number of people to have involved in the process. It meant that we were able to really get to grips with the characters that we created, the world that the soap is set in and without a large number of people to get their point across meant that storylining is more of less a discussion rather than a battle.
Within the team there are various expert areas. A stand-up comedian, a short story professional, an actor, a novice and a radio writer/presenter. With our diverse backgrounds I think we get the best from our characters and we all more or less write our scenes with the same tone, and voice.
Our weekly meetings consist of reading through the previous weeks scenes. This is my favourite part as it’s enjoyable hearing the characters come to life and from something that we’d discussed briefly during story lining to actually having full scenes which feed into the overall soap feels like an accomplishment.
The writer of the scene to be read aloud has to talk briefly about the scene, where the conflict is and what is the change from the beginning to the end of the scene. Some scenes are harder than others to do this.
After the read throughs, we then look into the stories for the next week. Where our characters are up to in terms of their story lines and which characters are needed to assist in developing the story further.
We’ve been a writing group for a year now and it has passed really quickly. The actors were cast before Christmas and recordings are made each week. It’ll be really good to finally hear it on air though, something that I am looking forward to.
A number of things that I have learned from my experience of being part of a collaborative group of writers.
• Discussions amongst more than one person can generate a raft of ideas.
• If a character hasn’t got a solid back-story and biog then writers can really struggle when it comes to putting that character under conflict. It’s important that this is nailed down at the very start of introducing this character otherwise it never seems believable.
• Drop-box is a valuable tool for sharing ideas and scripts.
• Being part of a writing team keeps you motivated. We meet on a Monday night and on several occasions when I’ve had a really tough day at work, what I’ve really wanted to do is go home to rest. Knowing that there are five people relying on you means that you have to attend. I’ve never been to a meeting and not come away feeling motivated again.
• Being taught to listen to others and let go of your own great ideas if the group decide that something else works better.
• Learning to compromise and not feel precious about an idea.
I’m sure there will be more to blog about as the year progresses.
Once I get the official airtime date I will ensure I update this site.
My last post about Collaborative Writing was over 14 weeks ago, and I’m happy to report that I’m still part of the writing team for a new radio continuing drama series for a Manchester community radio station.
We started out five months ago as a team of fourteen writers, of all writing ability and over the weeks have now dwindled down to a regular writing team of six.
We have a full cast of characters with their back stories, storylines, real life actors have now been cast to start recording the series in two weeks time and we the writers are all frantically scribbling at an amazing speed to ensure that the scripts are ahead of each recording.
There is finally a name for the radio soap too although not sure if that is being officially launched in the upcoming weeks. Maybe not the best of ideas to publicise it on here in case there is going to be a big PR campaign planned for it in a few weeks time.
It’s great to be part of a writing team. I experienced it as part of my Masters degree in Scriptwriting for the Radio Drama module, but nothing is better than experiencing it in real life.
The best thing about the weekly writers meeting is that we all have our own ideas about how a character should react to a situation etc. However, the collaborative process means that we get to bounce ideas off each other and just having those discussions (sometimes heated) means that what could start off as a good idea can be bounced around and with a few heads getting together can come out as a great idea.
It’s certainly made me think about my future writing and the possibility of trying to find a writing partner to collaborate with.
I’m going to London Screenwriters Festival later in the month so maybe I should be on the look out for a collaborator.
As expected the group of extremely keen writers in week one had dwindled slightly in week two.
Perhaps it wasn’t what they thought it would be, or maybe they didn’t realise it would be a weekly writers meeting. Anyway our large group of writers in week one was reduced by a third in week two.
Not only was it nicer to work in a smaller, more intimate group setting but it also meant that I managed to take a larger share of the Jaffa cakes during the three hour meeting.
The aim of the meeting was to recap what we had covered in week one, come up with more characters for our project and start looking at potential conflicts and stories between the characters.
In week one it was apparent when we shared our characters that our project wasn’t culturally representative of Manchester.
This gave me all the ammunition I needed to create my next character who is of black origin and is the local councillor for the area.
In the next exercise which involved us writing with a partner myself and another writer who had created an MP decided to lock horns and have a bit of fun with our characters and their dialogue.
I really enjoyed this exercise as the gentleman that I was partnered with was very quiet within the session, but once we began writing together he produced some great one-liners and comedic moments.
We really bounced off each other, and it has made me think of finding a writing partner in the future. Having another set of ideas is refreshing and means that the partner may suggest something that leads to me coming up with a different angle on a story. I wouldn’t excuse it in the future.
The lesson of this week for me is never judge a book by it’s cover.
Get out of your comfort zone and do something that terrifies you. That’s a healthy motto – right?
One of the aspects of my MA which challenged me the most was the collaborative group project in semester two.
An eight part radio drama where I worked with seven other writers and devised a radio serial with a forty-five minute episode written by each member of the team.
It was a challenge to say the least. Not only a divide in age and gender, but also in sense of humour. We spent most of the semester arguing about the serial storyline and at the last meeting still hadn’t nailed it down fully.
Firstly it’ll be great to get my writing on the radio again, secondly it will be good for the CV if I can show that I’ve worked as part of a writing team in a professional context, and thirdly if I don’t have someone giving me strict deadlines I fear that my writing will only occur when meeting competition deadlines.
This project is at the very beginning of becoming a radio soap opera, and with a team of twelve writers we won’t all get commissioned to write an episode. Which mirrors real life on a television soap opera too.
Last night was the first get together of this new writing team, and I thought I would blog about the journey from inception to writing that first episode.
The writing team is a diverse group of local people from Manchester who are a mix of volunteers at the radio station, writers and others who just want to get involved in this thrilling project.
We began the session by reading aloud a couple of short radio scripts. When asked for volunteers there was an uncomfortable silence so I put my hand up. Reading scripts out loud doesn’t phase me anymore as I’ve had two and a half years of doing this week in week out.
We were then given a large selection of photographs of people which had been cut out from newspapers and magazines. A range of ages, gender and ethnicity were covered and each of us chose one picture. Mine was a woman in her mid-twenties in a yoga pose. I thought I could have a lot of fun in creating her character as she looked quite chilled and peaceful.
My aim is to make my character the least stereotype for that particular image which is what I did when writing her character biography.
Other groups worked together on each of the characters, but the group that I was put in we worked solo and then shared our ideas. I found this approach better as the least conflict at the early stages the better.
Briefly we then came up with a long list of places that would be featured in our make shift soap opera world. Pub, café, library, bridge, park and pound shop were just a few of the suggested places that would feature in our community.
We also need to name our community in the upcoming weeks.
It’s certainly exciting to be part of something new creatively, and of course getting to know new people in this context is something that I find beneficial. Who knows, today community radio – tomorrow the writing team on House of Cards!
There are so many different ways to consume media these days whether it be through the television, billboards, social media, the internet, newspapers and magazines.
You’d think with the vastness of these mediums that radio would be a thing of the past.
You couldn’t be further from the truth.
Radio is thriving, which is brilliant news to the likes of myself who consumes many hours of radio every day of the week. From Radio 4 dramas to drivetime shows, the thing I love about radio is that you can be doing other things while absorbing it.
Because I’ve been bitten by the radio broadcasting bug.
It’s true what they say about embracing every opportunity that comes along because you never know where it may take you.
Five months ago I went along to a session with Wythenshawe FM in a small community centre in Baguley. I’d seen an advertisement on the noticeboard for my local supermarket asking if anybody was interested in attending training for either writing radio scripts, presenting, editing and features.
So I went along thinking I could help them with the script writing. After all, I was in my final year of a masters degree in TV and Radio Scriptwriting so broadcasting credits are something that I’m looking for. It became apparent early on, that the other aspects that they were looking for were equally as important.
I felt the colour drain from my face when the words “live broadcasting” were mentioned.
It would be rude to get up and walk out at that point so I stayed for the entire session. But, at that point I had no intention of every broadcasting live – were they mad? I could barely talk to groups of people in work without fluffing my words, let alone a radio audience.
Over the next few days I thought about it more and more. If something scares me I tend to do it anyway as I really enjoy the adrenalin of achieving something that terrifies me, “Feel the fear and do it anyway”.
So, why not give it a go. The worst that can happen is that I freeze on air, and they can always fill in the space with a song.
So I did it. On the 9 December 2013, I co-presented a show with another volunteer at Wythenshawe FM and I must admit the adrenaline from being on air live is something else. Once the initial “feeling like I’m going to have a heart attack” as my heart was pounding through my chest as I waited for my half an hour slot to begin, it was fine.
After the live show in December, I carried on training with the radio station. We covered interview techniques, operating a Marantz, features, jingles, editing and then we had a number of sessions in the studio operating the desk.
The studio sessions really baffled me, as it was one thing having to talk on air, but to also operate the desk and ensure that adverts were played, songs were queued and not to leave the microphone on. The other volunteers and myself all took it in turns to broadcast live for twenty or so minutes each week. This was probably the best way to learn, as we had an experienced member of staff with us all the way to make sure that we kept the station on air.
At this point I was approached to see if I was interested in hosting my own radio show. I had to think about this one. It’s one thing to go on air with other people, but on my own and for an hour? What the hell have I possibly got to say for myself that would interest anybody in listening to me?
So, I thought about it for thirty seconds and said yes, why not. I’m sure I could think of things to talk about without anybody saying anything back to me. I live with three males – I’m used to talking to myself.
On 23 February 2014 The Sunday Matinee Show was first aired.
So, thank you Wythenshawe FM for giving me the opportunity to do something so out of my comfort zone that I would never have dreamed six months ago that I would be hosting my own show.
‘The Sunday Matinee Show’ is not only an entertainment show, but I also want to showcase up and coming local Manchester talent, whether it be writers, theatre companies, actors or musicians etc.