One thing to have been drummed into me throughout my journey as a student on my scriptwriting MA is about editing, or “rewriting” “redrafting” etc.
It’s probably the main gripe of writers because we feel so precious about our stories to then look at the plot, characters and conflicts and starting to trim the fat from the script is a tough ask.
But, it is an essential part of the process. Writers look at their scripts with rosy coloured tinted glasses on. Those characters are like family to us and of course we don’t want to have to admit that they are not currently perfect, have we pushed our protagonist to the point of them pulling their hair out? Does the theme show in the script?
With all of my scripts whether they be radio, stage or TV there are three things that I ask as I am going through the editing stage.
• Does this scene advance the story?
• Is there conflict in the scene – who wants what, why and who is getting in the way?
• Does the scene add exposition?
Because there is no such thing as the perfect writer, then after the first draft there will be two or three yes’s in there. Time to rewrite the scene and press that delete key.
Another tip for scriptwriting is that each scene needs to start as late as possible and end as soon as possible, even better if there is a cliffhanger which will stop the audience from hitting the change channel button.
This is a post for http://www.writesofluid.com blog writing challenge. One blog post a day for all of July.